Upcoming Horror Movies October 2024

The ‘spooky season’ is months away, but there’s still plenty of horror goodness coming in the near future. Here’s a rundown on all of the upcoming horror films coming soon to theaters and streaming.

September 2024

‘Beetlejuice Beetlejuice’ – September 6 (Theaters)

“Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.”

‘Speak No Evil’ – September 13 (Theaters)

James McAvoy stars in this English-language remake of the 2022 Danish film of the same name.

“When an American family is invited to spend the weekend at the idyllic country estate of a charming British family they befriended on vacation, what begins as a dream holiday soon warps into a snarled psychological nightmare.”

October 2024

“Things Will Be Different” – October 4 (Theaters)

When estranged siblings Joseph (Adam David Thompson) and Sidney (Riley Dandy) rendezvous at a local diner after a close-call robbery, they hightail it to an abandoned farmhouse that transports them to a different time in order to escape the law. Their getaway is derailed when an unknown and cryptic metaphysical force emerges and blocks them from returning home. Trapped on the puzzling plot of land, their captor makes it clear that no one can leave until their deadly demands are met. What results from their entrapment not only bends the forces of spacetime–forcing the two to question everything they know about their own reality–but pushes their familial bonds to the breaking point.

‘Terrifier 3’ – October 11 (Theaters)

‘Smile 2’ – October 18 (Theaters)

“About to embark on a new world tour, global pop sensation Skye Riley (Naomi Scott) begins experiencing increasingly terrifying and inexplicable events. Overwhelmed by the escalating horrors and the pressures of fame, Skye is forced to face her dark past to regain control of her life before it spirals out of control.”

November 2024

‘Heretic’ – November 15 (Theaters)

“Two young missionaries are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed (Hugh Grant), becoming ensnared in his deadly game of cat-and-mouse.”

December 2024

‘Nosferatu’ – December 25 (Theaters)

The year in horror ends with ‘Nosferatu’, the latest film from Robert Eggers (‘The Witch’, ‘The Lighthouse’), which reimagines the classic German silent film of the same name.

Robert Eggers’ NOSFERATU is a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.

January 2025

“Wolf Man” – January 17 (Theaters)

From Blumhouse and visionary writer-director Leigh Whannell, the creators of the chilling modern monster tale The Invisible Man, comes a terrifying new lupine nightmare: Wolf Man. Golden Globe nominee Christopher Abbott (Poor Things, It Comes at Night) stars as Blake, a San Francisco husband and father, who inherits his remote childhood home in rural Oregon after his own father vanishes and is presumed dead. With his marriage to his high-powered wife, Charlotte (Emmy winner Julia Garner; Ozark, Inventing Anna), fraying, Blake persuades Charlotte to take a break from the city and visit the property with their young daughter, Ginger (Matlida Firth; Hullraisers, Coma). But as the family approaches the farmhouse in the dead of night, they’re attacked by an unseen animal and, in a desperate escape, barricade themselves inside the home as the creature prowls the perimeter. As the night stretches on, however, Blake begins to behave strangely, transforming into something unrecognizable, and Charlotte will be forced to decide whether the terror within their house is more lethal than the danger without.

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